In brief
Biana Watre Momin, a retired English literature teacher from the Garo Hills of Meghalaya, took a courageous leap into acting at the age of 70. Her debut in the Malayalam film 'Eko' not only showcases her talent but also emphasizes the importance of representation for indigenous communities in cinema. As she navigates this new path, Momin draws on her life experiences, echoing themes of resilience and adventure that resonate throughout her remarkable journey.
At 70, Biana Watre Momin took a leap far from home. The retired college teacher left the Garo Hills in north-eastern India's Meghalaya state, where she led a quiet family life caring for her four dogs and doting on her grandchildren, to act in a film over 3,000 kilometers south in Kerala.
Dealing with an unfamiliar language and an enigmatic role, Momin's journey into the cinema was one filled with apprehension yet ultimately rewarding. She took on the lead role in 'Eko', a Malayalam-language film that transformed her life.
Acting had never been an ambition for Momin, a member of the Garo tribe, and she had no previous experience. My town did not have a cinema or theatre, she recalled. The retired English literature teacher had little reason to believe a camera would ever frame her face, yet the call for 'Eko' presented an unexpected adventure.
Initially hesitant due to her lack of experience, Momin was encouraged by her daughter to embrace the opportunity. Her character in 'Eko', Mlathi Chettathi, lives alone in the Western Ghats and plays a pivotal role in anchoring the film's moral core.
'Eko' has achieved critical acclaim, with Momin's performance noted for its quiet strength and authenticity. Director Dinjith Ayyathan sought a fresh face for the film, leading the scouting team to Momin, whose previous involvement in Garo folklore films had made her a surprising candidate.
Emphasizing themes of independence and resilience, Momin embraced her role with the understanding she gained from her life experiences. Her formidable presence on screen reflects not only her character but also her real-life strength as a representation of indigenous women.
Although dialogues in the film were ultimately dubbed by a local voice artist, Momin performed her lines during filming. The shooting experience was a learning curve that required her to immerse herself in the craft of acting, pushing her boundaries and revealing her resilience.
Accolades for her performance have poured in, with even national award-winning actors praising her talent. As filmmakers from Bollywood and beyond express interest in her, Momin contemplates her next steps in this newfound career while returning to her life at home with her family.
Momin concludes with a thought that embodies her journey: Old age should burn and rage at close of day, citing the poet Dylan Thomas, cementing her transformation from educator to impactful actress.
