Sudan's National Museum, previously a cultural treasure, has faced extensive looting and damage during the ongoing war. As military control returns, the museum's officials reveal the severe plight of Sudan's historical identity, with tens of thousands of artefacts stolen or destroyed. Efforts to recover looted items seem fraught with challenges, leaving the future of this vital cultural institution uncertain.
War's Toll on Cultural Heritage: The Plight of Sudan's National Museum

War's Toll on Cultural Heritage: The Plight of Sudan's National Museum
Destruction and looting at Sudan's National Museum highlight the cultural losses amidst the ongoing conflict.
The Sudan National Museum, formerly a beacon of Nubian history and cultural heritage, has suffered grievous losses in the wake of two years of armed conflict. Notable sculptures and significant Christian artworks that once captivated visitors now lay devastated or missing entirely. The site's tragic transformation is emblematic of the broader cultural disintegration facing Sudan as the military battles the Rapid Support Forces (RSF).
Before the hostilities erupted, the National Museum was a vibrant hub of learning and appreciation for Sudans' historical significance, located strategically in Khartoum, near the confluence of two great rivers. However, as the military has regained control, shocking revelations about the scale of looting and destruction are emerging. Reports indicate that tens of thousands of artefacts were either bargained away or obliterated during RSF’s dominion over the area.
Ikhlas Abdel Latif Ahmed, the director of museums for Sudan’s antiquities authority, expressed the depth of this cultural devastation: "They destroyed our identity, and our history.” Upon inspecting the museum post-conflict, officials confronted haunting scenes of broken glass, discarded bullet shells, and leftover evidence of rampant theft.
The UN's heritage organization, Unesco, has sounded alarms, labeling the situation a "threat to culture" and urging art dealers to avoid trafficking in stolen items. Before the war, extensive restoration efforts had been planned, but artifacts were boxed and thus proved vulnerable to the looting. Worryingly, officials suspect that stolen treasures, including rare gold items from the time of the Nubian kings, may have been smuggled to places like the UAE, although concrete evidence of this remains elusive.
No monetary value can encompass the cultural worth of these artefacts, Ahmed lamented. Meanwhile, Sudan's de facto government seeks to enlist international bodies like Interpol and Unesco to aid in recovering lost treasures. However, recovering looted items amid ongoing instability appears an insurmountable task.
Amgad Farid, a civic commentator, described the looting as an intentional assault on Sudan's historical identity, uniquely targeting its rich tapestry of Nubian, Coptic, and Islamic heritages, which span over 7,000 years. This deliberate campaign, as he argues, seeks to sever present-day Sudanese from their past, leaving a void where their historical narrative once stood.
As the conflict continues, the ongoing plight of the National Museum mirrors the experiences of ordinary Sudanese citizens—displaced, their homes occupied, and their personal treasures bartered away. The United Nations estimates that nearly 13 million people have fled their homes since the violence began, with death tolls soaring beyond 150,000.
Despite the overwhelming loss, Ahmed remains resolute: "Inshallah [God willing], we will get all our collections back. And we will build it more beautiful than before." The hope for restoration and reclamation persists amidst the ruins of a fading cultural legacy.